Saturday, 9 August 2008

POETIC FORMS



The tetractys poetic form was devised by the late Ray Stebbing as a grammatical 20 syllable verse of 5 lines.Syllable sequence 1,2,3,4 & 10.Each line to stand on its own,as in my example Ichthys below.The challenge is to express a complete thought,profound or comic,witty or wise within the 20 syllables.The tetractys can be doubled or inverted.


 .(Further reading on this form is in my limited edition chapbook SHORTHAND OF THE HEART ( a selection of poetry forms) isbn 1-903203-422 



ICHTHYS


White

blossom,

a welcome

springtime emblem,

th foretaste of succulent fruit to come



PIPE DREAMS


Just

beyond

his compass

amibitions lay

buried deep within long forgotten dreams


SUMMER BALL


Love

blossomed

suddenly

that evening

they met by chance, in the 'excuse me' dance

AMERICAN CINQUAIN
 Poems in shapely form, displaying syllables or stresses in a versatile refrain.

It would appear that Adelaide Crapsey prioritised as follows;

Image/Thought ...... the inspiration behind the poem

Five line formStress sequence 1,2,3,4,1

Syllable sequence 2,4,6,8,2

Symmetry ............. Initial line capitals and English grammar throughout


AROMATHERAPY

Often
Kindnesses float
Like petals on a stream;
A fragrance that lingers within
The heart


Thermals
Drift,rising with
Brown buzzard ground circling
Silhouette shadowed before
Slaying



Darkness
Descending slow
Breaking out of the silence
Of the winter's night,a single
Owl screech



Hunger
Which haunts each dark
Hour,as coldness kills,thus
Does Nature's chain perpetuate
At night.

FOOTLE   developed as a form in 2007 by Brian Strand

A footle is a two line lines,2 syllable verse with an integral title-Light Poetic verse form,witty,pertinent,topical etc (technically a trochaic monometer and not necessarily in rhyme)it was inspired by the famous  FLEAS Adam/had'em.



HIKU a tristich 
HAIKU is a centuries old Japanese traditional phonetical & cultural poetic form
whereas
HIKU is a relatively recent reference to the 75year old established haiku in English. Hiku being an imagist tristich like its elder cousin,without a title,and with a similar economy of words ,inherently enigmatic & with a caesura or an ellipsis and surprise ending. A similar sense of pause ,the aesthetic insight flowing from perception gained from 'one breath length ' composition that flowed from the Japanesese 17 onji sound inherent in the Japaneses haiku. Without 'invented' syllabic( 5-7-5 ) line restrictions of the 'haiku in english 'is the 'free verse' version of the '5:7:5 haiku in English'. similar but different ,a present tense poetic ,the - hiku is the written or recited equivalent to arts 'gestural spontaneous happening' . Creativity the key in a verse freed from strict syllabic constraint within its triplicity of format(tristich)& yet inherently enigmatic & often with a caesura and surprise ending( VERSUM )to give a 'turning' to the line. The flexible hiku maybe a horizontal single* line,(often broken line at the caesura),a vertical line(usually a painting(haiga) ,a couplet** or a tristich* with shape-like variations.

hiku=haiku-in-english 

Doubled= 2 separate stand-alone untitled hiku - capable of unifying into a six-liner
momentarily

wait  hesitate and dream-

        imagination cries

          
unshackled 

      conception awakens-

         formulates

 


SONNET  3 QUATRAINS & A COUPLET

Petrarch 1 the poet invented a sonnet but to himself he kept it secret Then in England a version came for Surrey&Wyatt 2 claimed his fame

1.Italian circa 1300
2.ENGLAND circa 1500

SHE LOVES ME, SHE LOVES I love,I loved my sweetheart's beauty,fair Nightly,my passionate heart did declare, Dazzled by smiling eyes,I was possessed Inside,unchecked,a raging fire,obsessed;
Such anguish in me,she did arouse Her words of rejection,my ardour doused,
Images burned and time would not erase
Upon her sweet face,I still longed to gaze:
Crushed on emotion's merry-go-round Into depths of despair,my hopes were ground, Until destiny's dance began to play A chance encounter fĂȘted me that day. We cuddled,kissed and kissed again To our signature ,love refrain.

LIMERICK Thomas Aquinas ,a 13th century Italian friar first recorded use of the anapestic meter in the AABBA form with prayers in Latin until Edward Lear used theform for humourous verse.The title Limerick is more uncertain but might have aconnection to the Irish town of that name

ORIGINS

There once lived a friar,Thomas of Aquino

in latin,did his poetry flow

In a prayer anapestic

this form was to stick

until Lear gave AABBA ,a go

There was a young man from France who led his friends a fine dance Some thought him a prude others said he was rude Looking at him quite askance
CLERIHEW

The Clerihew poem came about in the 1927 and is named after Edmund Clerihew Bentley (1875–1956), the English writer who invented it. The Clerihew is a biography that makes fun of a famous person.It tends to show the subject of the poem from an unusual point of view. It usually has 4 lines of irregular length and is metered for a comical effect.

The rhyming structure of the Clerihew poem is AABB, with phrases that can be in Latin, French and other non-English languages. The end of the first line of a true Clerihew poem will only consist of the subjects name

Edmund Clerihew Bentley wrote poetry everso gently. His greatest claim to fame immortalised his mother's maiden name

OPEN VERSE may be described as an apperception of poetic elements -

imagery,assonance,rhythm,sound symbolism of an intuitive of the self conscious in a crystallised convergence of the moment ,with punctuation implied by the form, 

interpretation by the reader changing according to mood, thus essentially fluid and inherently variable.Especially in poetry read aloud where interpretation is unique each time as the reader participates in the poem as one does when iviewing a painting in a gallery


I first wrote in this style in Jan 2012..@PS... it is AN OPEN (organic)  1 VERSE using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' (intuitive cadence)& so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment 

An example & recitation 1 to explain

Will my verse reach your ear can your eye stay the course Does unconvention confound the rhythm of your eyes Take a deep breath exhale and read between my lines unphased by phrase and habitude or human voice The choice is always yours if my poem will be or is not to be a tune upon your ear explain

NOTE 1 https://m.youtube.com/watch?v=iEuqldQdLb8

2.My open verse is organic in some interpretative aspects similar but different from that of

Hilda Morley created (in the 1970's ) this type of  this 'verse freed' (which she labelled 'organic' )ie freed from convention,formal in experimentation closely related to Denise Levertov definition "organic form in poetry'. An early organic Sea Lily  https://m.youtube.com/watch?v=G7T7t3zuVMc

ALLITERATION  an ancient form that relies upon sounds to alert the ear & hold attention when recited.


Connections Confront,clash,collide COMBAT ! 

Cold shoulder,chill,cool CUT-OFF !

 Cry,crave,collect CALL-ON ! 

Constant,compassion,consider CHARITY ! 

Confer,commune,converse COMMUNICATE ! 

Convene,concert,consensus CONCORD ! 

COVENANT ! CHRIST ! CHURCH

 QUATRAIN the basic poetic & most ancient form with many many forms thereof here is one example an englyn

Her love was like a rose,

with no perfume. 

Dressed in very fine clothes passion she could not propose,

 brought the romance to a close.

TANKA in english ( from the Japanese form) a 20th century 5 line form split as a tristich & couplet

BONFIRE NIGHT LINE 1. november the fifth- } 2. layered rolls of liquid fog } S H O W 3. envelope the bonfire- } 4. the party becomes a } T E L L 5. damp squib }

SHAPE 

a literary piece of wordplay the succeeds in combining in a hybrid  fusion of  two artforms ...art & poetry originates from 300BC


HAIGA is a Japanese shape form a hybrid fusion of art & poetry






EKPHRASIS found as far back as 800BC (in many forms) describes poetically art,music in all its aspects

SURREALITY

an image blue     a memory  fleeting midst           black,white &  colour flows  shadows stream &  ideas fly         free to drift  afterthoughts   floating zig-zags  primitive themes the unconscious   pre occupied  the misshapen           in  designs to surprise     & provoke glimpses       into the  bizarre a short breath blown a frottage of connections embryonic& diffused imprecise concisely conceived

EMAGI

The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams poem. EMAGI is my recent variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital  symbols /letters can be represented as a shape and uses a poet's poem to inspire the digitised 'drawing'


WILLIAM BLAKE. 'Cradle Song' ¶ ¶ ¶ ____ | | \ \ /-----------| / \/.............. | /

FIBONACCI a 20th century form based on Leonardo Fibonacci, who in 1202 developed this mathematical basis thereof

Verse Freed To Fibonacci

I
 close
my eyes- 
sounds of fall, 
sun shines on my face, 
summer's last hurrah dies away-
 then I dream


IMAGISM a early 1900's challenge to conventional  poetics that freed verse , was developed from French symbolist poetics

the use clear, simple language to paint a picture. Imagery, on the other hand, is use of flowery and descriptive language, and often figurative language, to create an image in the reader’s mind. An imagist would keep things simple, and not use imagery other than specific sensory details.

https://imageverse.blogspot.com/

FREED VERSE

a creative- written & verbal art evolved naturally during  the past century  commencing with the Imagists in the early 1900's who 'freed up' traditional poetic thinking, along with the English  language  translators of Japanese haiku forms who thereby stimulated the interest & innovations in English short form poetics.

Recited rhymes,commonly known by all, was stimulated into wider-spread interest  in  all poetry  by the invention of the  typewriter,soon  followed by digital devices linked to the internet faciltated the process whereby poetry became a more common art practised daily  by hundreds of  thousands worldwide.The poetry sites like PS in the early 21st century continued & widened the evolution of 'freed form'  poetry.



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